The unpainted check counted a flat block only within 10/255 of the fill.
Krea 2 can hand a 128 gray fill back as a flat 114 to 118, so a picture
with gray corners got no word. Flat blocks now count within 20/255, and so
does the picture's own flat area that is taken off first, so a flat wall
continued flat still stays quiet.
The message told still pictures that dark footage paints better when
brightened first. That line is now only for videos, in plainer words.
The warning had no changelog entry yet; it has one now.
A see-through part of a picture - a cutout's missing background, an oval
photo's corners, a hole - kept its stored colour blended over the fill.
That colour is often black or the old background, so the model got a
dark or light ring round the picture and Stitch Inpaint pasted part of it
back. A pixel less than 90% as solid as the picture's most solid pixel is
now empty, like a corner a turn leaves: filled with the fill colour,
marked in the mask, new area for both seams. Kept pixels are fully solid
in their own colour.
A new last output, prompt_image, is the image with see-through parts on
white instead of the fill, for the node that writes the prompt: shown the
gray fill, a prompt writer describes a gray backdrop and the model keeps
it. original shows see-through parts on white instead of black.
A picture at least 90% solid everywhere goes through exactly as before;
the new tests hold every output and both seams to the old transform.
Paint everything except a person or a pet, turn on fill holes, and it
filled the unpainted subject too, so the part meant to stay was repainted.
The new optional max_hole_size input (a percent of the picture, 0 to 100)
sets the biggest hole fill holes fills. The default, 0, fills every hole
exactly as before, so saved workflows and API prompts run the same; at 2
the gaps a quick brush leaves still fill and a subject left unpainted
stays. Areas touching the picture's edge are never holes, as before.
- Hole sizes come from scipy's labels, the same 4-connected holes its
fill finds; the torch fallback labels the same 8-connected holes as its
own fill. Each picture in a batch is measured on its own, after expand.
- The card gets a Max hole size row with a % unit, dimmed while Fill holes
is off, and a resetUnknown fallback of 0 for 2.x saves that hold the
card's empty value in its slot.
- Tests: a hole above the limit stays, holes up to it fill, 0 matches the
old fill, edge-touching areas never fill, the torch fallback agrees,
batches, and older saves opening with 0.
- Node API snapshot, help page and changelog.
A node sized for the old face could grow into the node below once the new
notes showed. Now:
- The size line names the lit ratio where it acted ("pad to 16:9
1821x1024") instead of adding a line, and "already 9:16: pick another
ratio or turn it" sits on the same line when it fits.
- The Even out, To start and Full clip buttons fit their lines.
- "= the whole clip. Shorten it to move IN" fits beside the Length on the
example workflow's node.
- A new picture only ever shrinks the picture area to its shape; it never
grows the node.
Core Load Image hands out a 64x64 mask of zeros when the picture has no
mask painted on it, and picking a new picture after painting one gives
the same. Krea 2 Inpaint Masked then stopped inside Crop For Inpaint with
"Mask size (64, 64) does not match image size (1216, 832)".
Crop For Inpaint, Color Match and Mask Refine (with its picture wired)
now say "No mask painted: right-click your picture, choose Open in
MaskEditor, paint the area, then click Save." A mask made for another
picture names both sizes. LaMa Inpaint used to resize the blank stand-in
and hand the picture back unchanged; it says the same now. An empty mask
of the picture's own size still runs as before: Crop For Inpaint takes
the whole picture and stitches it back untouched.
The help pages, the README and the changelog use the new names (Round
canvas to, Frames for, Server file, the Resize switch) and describe the
always-scrubbing timeline and its grip, the padlock rules, the "already
this shape" note, the resize warning and Even out, the preview switch
bringing its picture back, Compare's labels and the Workflow Note's Use it.
An outpaint whose new area still shows the plain fill color used to come
back as a finished-looking picture with bars. Stitch Inpaint now measures
how much of the new area is still flat at the fill color, beyond what the
source picture itself has, and when a quarter of it (or half of any
checked frame) is left, says so in the console and in a toast.
The check lives in its own helper, works for images and video and for any
fill color, and stays quiet on dark scenes that are painted.
Blend in kept the model's colour as painted, so a model that paints
lighter, darker or warmer left the new area off-tone. Classic's Tone
match is no answer on turned pictures: it reads the grey rim a turn
leaves on the picture's edge as drift, and its flat offset lifts the
black of a dark new area.
With Tone match on, blend in now compares the model's version of the
strip it redrew with the picture at the same pixels (tone layers over
the same clean picture pixels, clipped highlights left out), fits the
drift as curves over brightness with a pinned and a free part, checks
the fit on held-out tiles, adds a local gain along the edge only when
that holds out too, and takes the result back off the model's picture
before the blend. Blacks stay black; nothing changes when the check
fails, the model kept the colours, or there is no feather to read. A
clip is measured once.
Classic is unchanged (its pins), and blend in at Tone match 0 is pinned
to the 2.4.0 stitch. The card no longer dims Tone match under blend in.
A dark or colourful picture padded with the #808080 gray came back from
Krea 2 AnyPaint with the gray still there: a gray frame around the picture,
or gray corners on a turned one. AnyPaint was trained with the new area of
its reference filled with the median colour of the picture, so a gray patch
next to a dark photo reads to it as part of the scene and it paints it back.
It did the same with every Krea 2 model file tried.
Krea 2 Encode gets an optional mask input, appended last. When it is wired,
the new area of the reference (mask above 0.5) is refilled with the median
colour of the rest before it reaches the VAE and the vision tower. The
canvas the rest of the graph uses keeps its gray. Without the link nothing
changes.
Prototype of the ratio row, for review. A chip used to stay lit after a
drag changed the shape (16:9 lit on a 1889x1280 canvas), a second tap on
it locked and a third cleared every pad, the portrait/landscape button
threw away hand edits, a locked diamond dragged inward did not move, and
Crop | Pad looked like two more ratio chips.
- A chip is lit only while the canvas (crop plus padding, before Align)
has its ratio; the pick (properties.ausboss_fit_aspect) is dropped when
a gesture leaves it, so a new clip is only fitted to a shape the canvas
still has. Without a picture a tapped ratio waits for the first one.
- Tap = reach the ratio (pad, or crop with Fit on crop), tap the lit one =
back to the whole picture. No other chip state.
- Holding the shape is a padlock button (ausboss_aspect_lock): drags keep
the lit ratio, or the custom one, from the moment you grab a handle.
- The orientation button turns the shape: pad mode pads the current crop
to the turned ratio, crop mode turns the crop box about its centre.
Nothing to turn (no picture, untouched, square): only the labels turn.
- Custom / Source caption, and the real ratio on the size line.
- Fit is a segmented pill; switching it re-reaches a lit ratio.
- Rotation keeps a lit ratio (and a held custom one).
- Dragging the picture where the crop spans the source slides it inside
its padding (slidePadding).
- The editor's Ratio list applies at once; Hold shape is the padlock.
Saved properties and widget values keep their names and meaning; an old
locked chip opens with the padlock on. Pure rules in transform_geometry
(canvasSize, aspectMatches, turnAspect, turnedCrop, padAround,
slidePadding, ratioLabel, isUntouched) with node:test coverage.
A note saved a few pixels shorter than its content showed a scrollbar and
hid its last row. The LTX 2.3 Video Outpaint note in the smaller example
layout (440 x 810) was 6 px short, so its links sat behind the scrollbar.
The classic canvas keeps a node's saved height; Nodes 2.0 already sized
the note to its content.
The note now measures its card's natural height at the node's width and
grows the node to fit when a workflow opens, after an edit, after the file
check, and when the node's width changes, since the text rewraps. It never
shrinks the node. The load fit runs before ComfyUI snapshots the opened
workflow, so a note that grows on load does not mark the workflow modified.
A corner drag stops at the fit, as it does in Nodes 2.0: holdNodeMinHeight
lifts the node's computeSize height to the measured floor. A card less
than half a pixel short is left alone, because Chrome rounds that away and
draws no scrollbar. Nodes 2.0 is untouched.
Replace it with the version that pads with Image Crop + Rotate + Pad,
with its sample picture and a new thumbnail. Point the README's Load
Image + Pad section at Klein 9B Outpaint, and update the example table,
the outpaint caption, the Krea 2 Outpaint Model Patch help page and the
CHANGELOG. Raise the Registry archive budget to 18 MB.
Keep Krea 2 Outpaint, Klein 9B Outpaint, LTX 2.3 Video Outpaint,
Qwen Image 2.1 Edit + Realign and Simple Video Watermark Remover, and add
Krea 2 Inpaint Masked and Krea 2 Rotate + Outpaint with their sample
pictures. Remove the other sixteen examples and the sample picture only
they used.
Update the README example table and links, the Realign to Source help
page, a test comment, the CHANGELOG and the pyproject description, and
raise the Registry archive budget to 13 MB.
The card keeps its old look and height. Seam has no row and no socket
now: a small gear in the card's top-right corner opens a menu with the
two choices, each with one plain line. With blend in on, Tone match and
Fix edge halo stay in place but dim and stop taking input, with a hover
hint, and a "blend in" chip beside the gear shows the mode.
The seam widget is a socketless combo, so the frontend makes no input
slot for it in either renderer; a stale unlinked slot from an earlier
save is dropped on load. The backend input is unchanged.
The widget card gains two generic options for this: rows can be muted
by the current values, and a card can carry small corner tools that
every row's control keeps clear of. A gear-menu choice can list one
line per option.
Blend in suits turned pictures and outpaints with Tone match off. With straight padding and Tone match on, classic usually looks as good, because the model's slight tone drift stays as painted in blend in. The help page also limits the unchanged round-trip promise to the classic seam.
Seam is a new optional choice, appended after color_match. "classic"
is the default and the old stitch, bit for bit. "blend in" hands the
model's picture over to the source by depth into the picture: colour
and tone change over slowly, fine detail changes over in a short ramp
where the two line up, the new area keeps the model's pixels, and the
deep picture keeps its own. There is no global tone shift, so
color_match and fix_edge_halo do not apply and the card hides them.
The depth map comes from the generated-area mask of a Crop + Rotate
+ Pad stitcher, or from the source rectangle of a Load Image + Pad
stitcher, with sides flush with the frame left out. It is computed
once per stitcher and shared by every frame, with scipy when present
and an exact torch fallback otherwise. Crop For Inpaint stitchers
keep the classic stitch. With blend in, blend_mask is the hand-over
weight.
An older workflow can carry the card's empty value in the slot Seam
now takes; the card resets it to classic on load and the node accepts
it as classic. Classic output is pinned against the previous code for
Load Image + Pad, Crop + Rotate + Pad, Crop For Inpaint and clip
stitchers.
Resolution Master is renamed Latent Size: the old name belongs to another
node pack. The node id AUSBOSS_NODES_Resolution is unchanged, so saved
workflows and API graphs load and run as before. Workflows only store a
title that differs from the default, so they pick up the new name; a saved
title that starts with "Resolution Master 🆎" gets the new name in its
place on load. The example, its thumbnail and the README image follow.
- Latent Size can be resized: wider stretches the chips, fields and size
picks, and taller gives the stage the room. It opens at 340 x 531 as
before and goes down to 320, where the size row tightens so W, H and MP
stay whole.
- LoRA Loader: gear -> Long names, end (the default, as before) or middle,
which keeps the checkpoint number at the end of a name in view. The
picker opens wide enough for long names and shortens the folder first.
- The frontend adds 104 px to a DOM panel's minWidth before using it as
the node's floor (LGraphNode.computeSize), so a node that opened
narrower jumped wider the moment its corner was touched: the LoRA Loader
could not go under 424. fillNodeHeight gains exactMinWidth, which
measures that padding and takes it back off, and holdVueNodeMinWidth
lends the floor to Nodes 2.0, whose corner drag reads the node's inline
min-width instead. Both nodes use them; the other panels keep their old
floors for now.
- README: the workflow-tools image shows Latent Size alone; the Seed card
is gone.
When the grown context box was bigger than the picture on an axis (a wide
or tall mask, or a small picture), fit_rect centred it and the overflow was
replicate-padded: the sampler got stretched copies of the edge pixels, and
a megapixel target spent its budget on them. On a 1184x2112 portrait with
the coat painted, only 42% of the canvas was the picture and the new part
was drawn at 0.52x.
New optional input keep_inside (card row "Stay in picture", on by
default) clamps the box to the picture on the overflowing axis before it
is fitted, so the crop holds only real pixels (0.80x on that portrait).
The helper keeps the old padding by default for existing callers; off on
the node is the old crop. Appended as the last optional input, so saved
workflows keep their values; ones whose box ran past the picture now
render a little differently.
The example's Workflow Note and the Krea 2 Outpaint Model Patch help page
said you could paint over part of the picture with the mask editor and pad
at the same time. Load Image + Pad drops the picture's alpha, its mask
covers only the new padding, and it hides the core preview the mask editor
opens from, so that never worked. Both now say the workflow only extends
the picture outward.
The help page also said a Crop For Inpaint stitcher places the reference
over the full frame. On source rectangle it falls back to where the crop
sat in the full picture, so the page now says to use whole canvas with one.
- Qwen Image 2.1 Edit + Realign: type a short edit and Qwen3-VL 8B, the
text encoder the edit already loads, writes the full instruction. The
consistency LoRA sits in a LoRA Loader row, switched off.
- LTX 2.3 Video Outpaint: the distilled LoRA and the outpaint IC-LoRA load
in one LoRA Loader instead of two core loaders. The workflow checks now
refuse core LoRA loaders in examples.
- Realign to Source: description, tooltips and help page rewritten in
plain words, with the technical detail at the end of the help page.
- Settings menus: in a short window the rows no longer squeeze together
and overlap; the menu scrolls instead.
- AGENTS.md: text people read starts with the plainest version.
An edit made at the picture's own size loses whatever the model pushed
past the canvas edge, so realigning it left an empty strip on 13 of 16
held-out edits. Realign to Source now takes an optional stitcher: given
Load Image + Pad's stitcher for the padded canvas the edit was made on,
it measures inside the picture's area only and returns just that area,
so what the model drew into the margin fills the edges.
- A drift within half a pixel of a whole-pixel shift is cut straight
out of the edit with no resampling; an edit that already lines up
comes back untouched.
- The coarse pass also tries the edit at 0.86x-1.28x, so a large zoom
is found; models often reframe a padded canvas by zooming in to fill
it, and that zoom does not count toward Max zoom.
- The report says whether the frame was cut out or warped and names the
margin each side needed when an edit ran out of picture.
Load Image + Pad gains a mirror fill, which models read as more of the
scene: over 16 edits it provoked a reframe on 2, against 7 for edge
pixels and 5 for flat gray. The Qwen Image 2.1 Edit + Realign example
now edits on a 64 px mirror margin with the stitcher wired.
Qwen Image 2.1 draws broad edits (watercolor, anime, oil) a few percent
taller than the source, up to about 12%, differently for every seed, and
snapping sizes does not change it. Realign to Source measures that zoom
and shift against the source and warps the edit back onto the source's
frame, at the source's size. empty_mask marks the strip the model pushed
out of view; report gives the measured zoom, shift and worst corner, or
why a frame was left as it is. The display name carries EXPERIMENTAL.
Promoted from the lab node. The measurement is unchanged (the same
matrices on 166 real Qwen 2.1 renders). The warp now samples the edit
with its edge pixels extended for every fill, so the gray and source
fills no longer draw a dark line beside the strip.
New example: Qwen Image 2.1 Edit + Realign, the Qwen 2.1 Edit graph with
the realign step after decode, its report, and before and after compares.
An optional source_image socket pads an image from another node instead
of the chosen file, so a step before the pad (flattening a transparent
picture onto white, say) no longer has to be saved and loaded back.
- The wire wins over the file; validation skips the file check while it
is connected and runs core's link-type check itself, since asking for
input_types turns core's off for the node.
- A wired run hands the canvas a small temp preview (one file per node,
overwritten each run) and the true source size, so the stage draws the
last image it padded; before the first run it shows an outline.
- Card rows gain linkedBy, so the Source row dims while a wire replaces it.
- Appended and optional with no widget: saved workflows and API prompts
load unchanged. Node API snapshot refreshed.
Resolved: CHANGELOG keeps both bullets. The feather branch's
perfect-continuation test left rotated-and-padded out because of this
bug; with both fixes in, it covers that layout too.
Resolved:
- node_image_crop_rotate_pad.py: optional inputs are the four resize
inputs, then stitch_blend, then stitch_grow; node_api.json regenerated
with test_node_api.py --update (no breaking change against main).
- test_transform_outputs.py: the optional-inputs test expects the stitch
inputs after the resize ones.
- transform_editor.mjs: the Inpaint & Stitch section and its status line
serve the image node too (feather branch) beside the size-chain status
(this branch); the Cancel code is #73's, line for line.
- LTX example note and the Clip help page carry both branches' wording.
- CHANGELOG keeps every bullet.
Rounding the canvas to Multiple put the leftover on the right and bottom
whatever was padded, so the published Krea 2 Outpaint workflow (top and
bottom padded, Multiple 16, Budget 1.6) grew a 6 px grey strip down the
photo's right edge. Krea painted it flat, the feather opened the photo
beside it, and Stitch's colour match read it as a seam.
The leftover now joins a padded side (the far one when both are). An
axis nobody padded is scaled onto the multiple when a Budget is set (one
uniform scale) and trimmed evenly without one; the node's canvas shows
the trim as -N px. The JS preview (pad_canvas.mjs / pad_panel.mjs)
mirrors the Python plan to the pixel. Crop + Rotate + Pad keeps its old
rule for now.
On a Crop + Rotate + Pad canvas that was rotated and padded (a canvas
multiple's few pixels count), the source rectangle is the crop, which
holds the rotation's empty corners. color_match read their fill as
picture and shifted the whole fill toward it: up to 33 dE on a flat
test, 57 with a resize. The transform stitcher now carries its
generated-area mask; the seam reading skips void pixels (2 px clear of
them), and a line with no picture takes the band's global offset.
Load Image + Pad and Crop For Inpaint carry no mask and stitch exactly
as before; a pin test holds Load Image + Pad's colour-matched bands to
their old values.
- Rotating keeps the crop's size over the same part of the picture from
the knob, slider, number box and Reset rotation (cropForRotation).
- A readout under the picture names every step that sets the output size
(crop -> pad -> align -> resize) and warns when the resize Step
stretches the picture or Align pads fill ahead of a resize; ticking
Resize shows Megapixels and Step on the face.
- Locked-aspect crops use integer maths (_ratio_box / ratioBox), so the
size shown equals the run.
- Image Crop + Rotate + Pad's four resize inputs are optional, so API
prompts saved before them validate again.
- Video Crop + Rotate + Pad -> Clip: one Length switch replaces the Fixed
frames and Limit boxes; OUT sits on the last output frame; a connected
fixed_frames / frame_load_cap takes over the length.
- The stitcher pastes the unfaded canvas when feather > 0
(transform_pil_layers / keep_unfaded). Superseded by mask-only feather
and dropped in the next commit.
Carries a copy of the editor Cancel / discard-prompt change from
feat/editor-cancel-discard (#73), which this work was built on.
The image and video transform nodes faded the picture into the fill
colour across the feather ramp. Outpaint models read that ramp as
content (the Qwen 2.1 outpaint LoRA painted a darker band along a tilted
edge, LTX's IC-LoRA left feathered bars unpainted), and the stitcher
kept the faded pixels, so Stitch's colour match measured its drift
against them and pulled the fill toward grey (d(ab) 18.5 at feather 24 on
a straight pad, 2.6 now). Feather now shapes only the mask and the stitch
blend built from it; the picture keeps a hard edge against the fill, so a
feathered canvas is the feather-0 canvas pixel for pixel.
Image Crop + Rotate + Pad gains the clip node's optional stitch_blend
(32) and stitch_grow (0) inputs, and its editor shows the same Inpaint &
Stitch section with Show blend. The editor's live fade overlay goes with
the fade.
The Crop + Rotate + Pad editor gains Cancel beside Save & close; Escape
now cancels. Changed edits ask first (shared js/shared/discard_prompt.mjs)
and Discard restores the node to its state when the editor opened. The
Workflow Note editor asks before Cancel, Escape or a backdrop click drops
edits, and a JSON edit carried back to the form no longer outlives Cancel.
Save Image joins the shared input_preview panel with the PREVIEW switch,
backed by a new optional preview input (display only: the file is saved
and listed in the queue either way). The embed row reads
Embed workflow: no | yes.
ausboss