Initial release of EmberFrame Nodes
This commit is contained in:
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.git/
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.github/
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__pycache__/
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*.py[cod]
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*.pyo
|
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*.pyd
|
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.pytest_cache/
|
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.ruff_cache/
|
||||
.env
|
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.env.*
|
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.venv/
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venv/
|
||||
.vscode/
|
||||
.idea/
|
||||
.DS_Store
|
||||
Thumbs.db
|
||||
|
||||
output/
|
||||
input/
|
||||
models/
|
||||
checkpoints/
|
||||
temp/
|
||||
tmp/
|
||||
logs/
|
||||
*.safetensors
|
||||
*.ckpt
|
||||
*.pth
|
||||
*.pt
|
||||
*.onnx
|
||||
*.gguf
|
||||
*.zip
|
||||
*.7z
|
||||
*.rar
|
||||
|
||||
*.png
|
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*.jpg
|
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*.jpeg
|
||||
*.webp
|
||||
*.json
|
||||
+40
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__pycache__/
|
||||
*.py[cod]
|
||||
*.pyo
|
||||
*.pyd
|
||||
.pytest_cache/
|
||||
.ruff_cache/
|
||||
.env
|
||||
.env.*
|
||||
.venv/
|
||||
venv/
|
||||
.vscode/
|
||||
.idea/
|
||||
.DS_Store
|
||||
Thumbs.db
|
||||
|
||||
# Do not publish local ComfyUI state, generated outputs, or downloaded models.
|
||||
output/
|
||||
input/
|
||||
models/
|
||||
checkpoints/
|
||||
temp/
|
||||
tmp/
|
||||
logs/
|
||||
*.safetensors
|
||||
*.ckpt
|
||||
*.pth
|
||||
*.pt
|
||||
*.onnx
|
||||
*.gguf
|
||||
*.zip
|
||||
*.7z
|
||||
*.rar
|
||||
|
||||
# Local workflow experiments often contain prompts, paths, seeds, and image metadata.
|
||||
*.png
|
||||
*.jpg
|
||||
*.jpeg
|
||||
*.webp
|
||||
*.json
|
||||
!example_workflow_notes.md
|
||||
@@ -0,0 +1,674 @@
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GNU GENERAL PUBLIC LICENSE
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Version 3, 29 June 2007
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Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/>
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Everyone is permitted to copy and distribute verbatim copies
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of this license document, but changing it is not allowed.
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Preamble
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The GNU General Public License is a free, copyleft license for
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The licenses for most software and other practical works are designed
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When we speak of free software, we are referring to freedom, not
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TERMS AND CONDITIONS
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A "User Product" is either (1) a "consumer product", which means any
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|
||||
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||||
|
||||
"Additional permissions" are terms that supplement the terms of this
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Additional permissions that are applicable to the entire Program shall
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|
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When you convey a copy of a covered work, you may at your option
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||||
Notwithstanding any other provision of this License, for material you
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||||
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|
||||
any liability that these contractual assumptions directly impose on
|
||||
those licensors and authors.
|
||||
|
||||
All other non-permissive additional terms are considered "further
|
||||
restrictions" within the meaning of section 10. If the Program as you
|
||||
received it, or any part of it, contains a notice stating that it is
|
||||
governed by this License along with a term that is a further
|
||||
restriction, you may remove that term. If a license document contains
|
||||
a further restriction but permits relicensing or conveying under this
|
||||
License, you may add to a covered work material governed by the terms
|
||||
of that license document, provided that the further restriction does
|
||||
not survive such relicensing or conveying.
|
||||
|
||||
If you add terms to a covered work in accord with this section, you
|
||||
must place, in the relevant source files, a statement of the
|
||||
additional terms that apply to those files, or a notice indicating
|
||||
where to find the applicable terms.
|
||||
|
||||
Additional terms, permissive or non-permissive, may be stated in the
|
||||
form of a separately written license, or stated as exceptions;
|
||||
the above requirements apply either way.
|
||||
|
||||
8. Termination.
|
||||
|
||||
You may not propagate or modify a covered work except as expressly
|
||||
provided under this License. Any attempt otherwise to propagate or
|
||||
modify it is void, and will automatically terminate your rights under
|
||||
this License (including any patent licenses granted under the third
|
||||
paragraph of section 11).
|
||||
|
||||
However, if you cease all violation of this License, then your
|
||||
license from a particular copyright holder is reinstated (a)
|
||||
provisionally, unless and until the copyright holder explicitly and
|
||||
finally terminates your license, and (b) permanently, if the copyright
|
||||
holder fails to notify you of the violation by some reasonable means
|
||||
prior to 60 days after the cessation.
|
||||
|
||||
Moreover, your license from a particular copyright holder is
|
||||
reinstated permanently if the copyright holder notifies you of the
|
||||
violation by some reasonable means, this is the first time you have
|
||||
received notice of violation of this License (for any work) from that
|
||||
copyright holder, and you cure the violation prior to 30 days after
|
||||
your receipt of the notice.
|
||||
|
||||
Termination of your rights under this section does not terminate the
|
||||
licenses of parties who have received copies or rights from you under
|
||||
this License. If your rights have been terminated and not permanently
|
||||
reinstated, you do not qualify to receive new licenses for the same
|
||||
material under section 10.
|
||||
|
||||
9. Acceptance Not Required for Having Copies.
|
||||
|
||||
You are not required to accept this License in order to receive or
|
||||
run a copy of the Program. Ancillary propagation of a covered work
|
||||
occurring solely as a consequence of using peer-to-peer transmission
|
||||
to receive a copy likewise does not require acceptance. However,
|
||||
nothing other than this License grants you permission to propagate or
|
||||
modify any covered work. These actions infringe copyright if you do
|
||||
not accept this License. Therefore, by modifying or propagating a
|
||||
covered work, you indicate your acceptance of this License to do so.
|
||||
|
||||
10. Automatic Licensing of Downstream Recipients.
|
||||
|
||||
Each time you convey a covered work, the recipient automatically
|
||||
receives a license from the original licensors, to run, modify and
|
||||
propagate that work, subject to this License. You are not responsible
|
||||
for enforcing compliance by third parties with this License.
|
||||
|
||||
An "entity transaction" is a transaction transferring control of an
|
||||
organization, or substantially all assets of one, or subdividing an
|
||||
organization, or merging organizations. If propagation of a covered
|
||||
work results from an entity transaction, each party to that
|
||||
transaction who receives a copy of the work also receives whatever
|
||||
licenses to the work the party's predecessor in interest had or could
|
||||
give under the previous paragraph, plus a right to possession of the
|
||||
Corresponding Source of the work from the predecessor in interest, if
|
||||
the predecessor has it or can get it with reasonable efforts.
|
||||
|
||||
You may not impose any further restrictions on the exercise of the
|
||||
rights granted or affirmed under this License. For example, you may
|
||||
not impose a license fee, royalty, or other charge for exercise of
|
||||
rights granted under this License, and you may not initiate litigation
|
||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
||||
any patent claim is infringed by making, using, selling, offering for
|
||||
sale, or importing the Program or any portion of it.
|
||||
|
||||
11. Patents.
|
||||
|
||||
A "contributor" is a copyright holder who authorizes use under this
|
||||
License of the Program or a work on which the Program is based. The
|
||||
work thus licensed is called the contributor's "contributor version".
|
||||
|
||||
A contributor's "essential patent claims" are all patent claims
|
||||
owned or controlled by the contributor, whether already acquired or
|
||||
hereafter acquired, that would be infringed by some manner, permitted
|
||||
by this License, of making, using, or selling its contributor version,
|
||||
but do not include claims that would be infringed only as a
|
||||
consequence of further modification of the contributor version. For
|
||||
purposes of this definition, "control" includes the right to grant
|
||||
patent sublicenses in a manner consistent with the requirements of
|
||||
this License.
|
||||
|
||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
||||
patent license under the contributor's essential patent claims, to
|
||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
||||
propagate the contents of its contributor version.
|
||||
|
||||
In the following three paragraphs, a "patent license" is any express
|
||||
agreement or commitment, however denominated, not to enforce a patent
|
||||
(such as an express permission to practice a patent or covenant not to
|
||||
sue for patent infringement). To "grant" such a patent license to a
|
||||
party means to make such an agreement or commitment not to enforce a
|
||||
patent against the party.
|
||||
|
||||
If you convey a covered work, knowingly relying on a patent license,
|
||||
and the Corresponding Source of the work is not available for anyone
|
||||
to copy, free of charge and under the terms of this License, through a
|
||||
publicly available network server or other readily accessible means,
|
||||
then you must either (1) cause the Corresponding Source to be so
|
||||
available, or (2) arrange to deprive yourself of the benefit of the
|
||||
patent license for this particular work, or (3) arrange, in a manner
|
||||
consistent with the requirements of this License, to extend the patent
|
||||
license to downstream recipients. "Knowingly relying" means you have
|
||||
actual knowledge that, but for the patent license, your conveying the
|
||||
covered work in a country, or your recipient's use of the covered work
|
||||
in a country, would infringe one or more identifiable patents in that
|
||||
country that you have reason to believe are valid.
|
||||
|
||||
If, pursuant to or in connection with a single transaction or
|
||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
||||
covered work, and grant a patent license to some of the parties
|
||||
receiving the covered work authorizing them to use, propagate, modify
|
||||
or convey a specific copy of the covered work, then the patent license
|
||||
you grant is automatically extended to all recipients of the covered
|
||||
work and works based on it.
|
||||
|
||||
A patent license is "discriminatory" if it does not include within
|
||||
the scope of its coverage, prohibits the exercise of, or is
|
||||
conditioned on the non-exercise of one or more of the rights that are
|
||||
specifically granted under this License. You may not convey a covered
|
||||
work if you are a party to an arrangement with a third party that is
|
||||
in the business of distributing software, under which you make payment
|
||||
to the third party based on the extent of your activity of conveying
|
||||
the work, and under which the third party grants, to any of the
|
||||
parties who would receive the covered work from you, a discriminatory
|
||||
patent license (a) in connection with copies of the covered work
|
||||
conveyed by you (or copies made from those copies), or (b) primarily
|
||||
for and in connection with specific products or compilations that
|
||||
contain the covered work, unless you entered into that arrangement,
|
||||
or that patent license was granted, prior to 28 March 2007.
|
||||
|
||||
Nothing in this License shall be construed as excluding or limiting
|
||||
any implied license or other defenses to infringement that may
|
||||
otherwise be available to you under applicable patent law.
|
||||
|
||||
12. No Surrender of Others' Freedom.
|
||||
|
||||
If conditions are imposed on you (whether by court order, agreement or
|
||||
otherwise) that contradict the conditions of this License, they do not
|
||||
excuse you from the conditions of this License. If you cannot convey a
|
||||
covered work so as to satisfy simultaneously your obligations under this
|
||||
License and any other pertinent obligations, then as a consequence you may
|
||||
not convey it at all. For example, if you agree to terms that obligate you
|
||||
to collect a royalty for further conveying from those to whom you convey
|
||||
the Program, the only way you could satisfy both those terms and this
|
||||
License would be to refrain entirely from conveying the Program.
|
||||
|
||||
13. Use with the GNU Affero General Public License.
|
||||
|
||||
Notwithstanding any other provision of this License, you have
|
||||
permission to link or combine any covered work with a work licensed
|
||||
under version 3 of the GNU Affero General Public License into a single
|
||||
combined work, and to convey the resulting work. The terms of this
|
||||
License will continue to apply to the part which is the covered work,
|
||||
but the special requirements of the GNU Affero General Public License,
|
||||
section 13, concerning interaction through a network will apply to the
|
||||
combination as such.
|
||||
|
||||
14. Revised Versions of this License.
|
||||
|
||||
The Free Software Foundation may publish revised and/or new versions of
|
||||
the GNU General Public License from time to time. Such new versions will
|
||||
be similar in spirit to the present version, but may differ in detail to
|
||||
address new problems or concerns.
|
||||
|
||||
Each version is given a distinguishing version number. If the
|
||||
Program specifies that a certain numbered version of the GNU General
|
||||
Public License "or any later version" applies to it, you have the
|
||||
option of following the terms and conditions either of that numbered
|
||||
version or of any later version published by the Free Software
|
||||
Foundation. If the Program does not specify a version number of the
|
||||
GNU General Public License, you may choose any version ever published
|
||||
by the Free Software Foundation.
|
||||
|
||||
If the Program specifies that a proxy can decide which future
|
||||
versions of the GNU General Public License can be used, that proxy's
|
||||
public statement of acceptance of a version permanently authorizes you
|
||||
to choose that version for the Program.
|
||||
|
||||
Later license versions may give you additional or different
|
||||
permissions. However, no additional obligations are imposed on any
|
||||
author or copyright holder as a result of your choosing to follow a
|
||||
later version.
|
||||
|
||||
15. Disclaimer of Warranty.
|
||||
|
||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
||||
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
||||
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
||||
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
||||
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
||||
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
||||
|
||||
16. Limitation of Liability.
|
||||
|
||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
||||
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
||||
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
||||
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
||||
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
||||
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
||||
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
||||
SUCH DAMAGES.
|
||||
|
||||
17. Interpretation of Sections 15 and 16.
|
||||
|
||||
If the disclaimer of warranty and limitation of liability provided
|
||||
above cannot be given local legal effect according to their terms,
|
||||
reviewing courts shall apply local law that most closely approximates
|
||||
an absolute waiver of all civil liability in connection with the
|
||||
Program, unless a warranty or assumption of liability accompanies a
|
||||
copy of the Program in return for a fee.
|
||||
|
||||
END OF TERMS AND CONDITIONS
|
||||
|
||||
How to Apply These Terms to Your New Programs
|
||||
|
||||
If you develop a new program, and you want it to be of the greatest
|
||||
possible use to the public, the best way to achieve this is to make it
|
||||
free software which everyone can redistribute and change under these terms.
|
||||
|
||||
To do so, attach the following notices to the program. It is safest
|
||||
to attach them to the start of each source file to most effectively
|
||||
state the exclusion of warranty; and each file should have at least
|
||||
the "copyright" line and a pointer to where the full notice is found.
|
||||
|
||||
<one line to give the program's name and a brief idea of what it does.>
|
||||
Copyright (C) <year> <name of author>
|
||||
|
||||
This program is free software: you can redistribute it and/or modify
|
||||
it under the terms of the GNU General Public License as published by
|
||||
the Free Software Foundation, either version 3 of the License, or
|
||||
(at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful,
|
||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License
|
||||
along with this program. If not, see <https://www.gnu.org/licenses/>.
|
||||
|
||||
Also add information on how to contact you by electronic and paper mail.
|
||||
|
||||
If the program does terminal interaction, make it output a short
|
||||
notice like this when it starts in an interactive mode:
|
||||
|
||||
<program> Copyright (C) <year> <name of author>
|
||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
||||
This is free software, and you are welcome to redistribute it
|
||||
under certain conditions; type `show c' for details.
|
||||
|
||||
The hypothetical commands `show w' and `show c' should show the appropriate
|
||||
parts of the General Public License. Of course, your program's commands
|
||||
might be different; for a GUI interface, you would use an "about box".
|
||||
|
||||
You should also get your employer (if you work as a programmer) or school,
|
||||
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
||||
For more information on this, and how to apply and follow the GNU GPL, see
|
||||
<https://www.gnu.org/licenses/>.
|
||||
|
||||
The GNU General Public License does not permit incorporating your program
|
||||
into proprietary programs. If your program is a subroutine library, you
|
||||
may consider it more useful to permit linking proprietary applications with
|
||||
the library. If this is what you want to do, use the GNU Lesser General
|
||||
Public License instead of this License. But first, please read
|
||||
<https://www.gnu.org/licenses/why-not-lgpl.html>.
|
||||
@@ -0,0 +1,165 @@
|
||||
# EmberFrame Nodes
|
||||
|
||||
`emberframe-nodes` is a growing collection of lightweight custom nodes for Comfy workflows.
|
||||
|
||||
Version: `1.0.0`
|
||||
|
||||
The first release includes the helper nodes created for the advanced Z-Image Base / Z-Image Turbo PiD workflow, but the package name is intentionally broad so more EmberFrame nodes can be added later.
|
||||
|
||||
## Nodes
|
||||
|
||||
- `EmberFrame SamplerCustomAdvanced Capture`
|
||||
- `EmberFrame Normalize ZImage/Flux Latent`
|
||||
- `EmberFrame Attach Sigma To Latent`
|
||||
- `EmberFrame Latent Capture Inspector`
|
||||
- `EmberFrame Sequential Wildcard Prompt`
|
||||
- `EmberFrame Wildcard Rule Builder`
|
||||
- `EmberFrame Wildcard Config Combiner`
|
||||
- `EmberFrame Wildcard Prompt Assembler`
|
||||
- `EmberFrame MP Aspect Resolution Selector`
|
||||
|
||||
The pack also includes the small wildcard text files directly referenced by the example workflow:
|
||||
|
||||
- `framing_wildcard.txt`
|
||||
- `camera_angle_wildcard.txt`
|
||||
- `lingerie.txt`
|
||||
- `Prompt_Civit_connoisseur34_07.txt`
|
||||
|
||||
## What This Does Not Include
|
||||
|
||||
This pack does not include NVIDIA PiD, PiD checkpoints, Z-Image models, VAE files, upscalers, ControlNet models, or the Merserk `ComfyUI-PiD` wrapper.
|
||||
|
||||
The example workflow still needs its larger external node packs, including `ComfyUI-PiD`, `rgthree-comfy`, `ComfyUI-Image-Saver`, `ComfyUI-Easy-Use`, `ComfyUI-KJNodes`, `RES4LYF`, ControlNet/Depth nodes, SeedVR2, Ultimate SD Upscale, and the other packs listed inside the workflow note.
|
||||
|
||||
This pack replaces the separate lightweight/helper packs:
|
||||
|
||||
- `ComfyUI-PiD-AdvancedSampler`
|
||||
- `ComfyUI-SequentialWildcardPrompt`
|
||||
- `ComfyUI-WildcardPromptAssembler`
|
||||
- `ComfyUI-WildcardPromptToolkit`
|
||||
- `mp_aspect_res_selector`
|
||||
|
||||
## Install
|
||||
|
||||
Copy or clone this folder into:
|
||||
|
||||
```text
|
||||
ComfyUI/custom_nodes/emberframe-nodes
|
||||
```
|
||||
|
||||
Restart Comfy. The new nodes appear under:
|
||||
|
||||
```text
|
||||
EmberFrame/PiD
|
||||
EmberFrame/Prompt
|
||||
EmberFrame/Resolution
|
||||
```
|
||||
|
||||
## Z-Image / Flux PiD Scale Rule
|
||||
|
||||
For Z-Image / Flux PiD, treat PiD as a 4x decoder:
|
||||
|
||||
```text
|
||||
scale = 4
|
||||
```
|
||||
|
||||
Both `2k` and `2kto4k` are sr4x checkpoints. `2kto4k` means a higher-resolution 4x decoder, not a 2x decoder.
|
||||
|
||||
Known-good examples:
|
||||
|
||||
```text
|
||||
Want about 1088 x 1920 final:
|
||||
Generate around 272 x 480, then PiD scale = 4, ckpt = 2k.
|
||||
|
||||
Want about 2176 x 3840 final:
|
||||
Generate around 544 x 960, then PiD scale = 4, ckpt = 2kto4k.
|
||||
```
|
||||
|
||||
Using `scale = 1` or `scale = 2` with Z-Image / Flux PiD can produce warped or distorted images.
|
||||
|
||||
## Working Final-Latent PiD Path
|
||||
|
||||
This is the simplest path that worked well in testing:
|
||||
|
||||
```text
|
||||
ZiB sampler output
|
||||
-> ZiT sampler latent_image
|
||||
|
||||
ZiT sampler output or denoised_output
|
||||
-> EmberFrame Normalize ZImage/Flux Latent
|
||||
-> PiD Decode latent
|
||||
|
||||
VAE Decode of ZiT output
|
||||
-> optional preview / baseline_image
|
||||
```
|
||||
|
||||
Recommended PiD settings:
|
||||
|
||||
```text
|
||||
backbone = zimage
|
||||
pid_ckpt_type = 2k or 2kto4k
|
||||
pid_steps = 4
|
||||
scale = 4
|
||||
cfg_scale = 1
|
||||
sigma = 0
|
||||
```
|
||||
|
||||
For final latent use, keep `EmberFrame Normalize ZImage/Flux Latent` set to:
|
||||
|
||||
```text
|
||||
direction = comfy_to_pid
|
||||
scale_factor = 0.3611
|
||||
shift_factor = 0.1159
|
||||
```
|
||||
|
||||
## Intermediate Capture Path
|
||||
|
||||
The capture node can also capture intermediate sampler state:
|
||||
|
||||
```text
|
||||
ZiT EmberFrame SamplerCustomAdvanced Capture pid_latent
|
||||
-> PiD Prepare latent
|
||||
|
||||
ZiT EmberFrame SamplerCustomAdvanced Capture pid_sigma
|
||||
-> PiD Prepare sigma
|
||||
|
||||
PiD Prepare
|
||||
-> PiD Sample
|
||||
-> PiD Finalize
|
||||
```
|
||||
|
||||
Useful diagnostic settings:
|
||||
|
||||
```text
|
||||
capture_tensor_source = x
|
||||
sigma_source = next
|
||||
capture_debug = true
|
||||
```
|
||||
|
||||
If you feed `output`, `denoised_output`, or `capture_tensor_source = final_latent` into PiD, normalize it first with `EmberFrame Normalize ZImage/Flux Latent`. If you feed callback `x` directly, test before adding normalization, because callback `x` is already in the sampler/model latent space.
|
||||
|
||||
## Public Sharing Checklist
|
||||
|
||||
Good things to publish:
|
||||
|
||||
- this custom node code
|
||||
- README / install notes
|
||||
- sanitized example screenshots
|
||||
- sanitized example workflow JSON
|
||||
|
||||
Do not publish:
|
||||
|
||||
- downloaded PiD checkpoints
|
||||
- Z-Image / Flux checkpoints
|
||||
- `.safetensors`, `.ckpt`, `.pth`, `.pt`, `.gguf`, or model folders
|
||||
- generated images if they contain private metadata or prompts
|
||||
- workflow JSON containing private prompts, personal file paths, API keys, private model paths, or paid/private model names
|
||||
- your full Comfy portable folder
|
||||
|
||||
Before publishing, review wildcard text files and workflow prompts. Remove anything you do not want to make public.
|
||||
|
||||
## License Notes
|
||||
|
||||
This pack is GPL-3.0 because the sampler-capture node mirrors behavior from Comfy's GPL-3.0 sampler implementation.
|
||||
|
||||
The Merserk `ComfyUI-PiD` wrapper is MIT licensed and NVIDIA PiD weights/checkpoints may have separate model-card terms. Do not redistribute model weights in this repository.
|
||||
@@ -0,0 +1,3 @@
|
||||
from .nodes import NODE_CLASS_MAPPINGS, NODE_DISPLAY_NAME_MAPPINGS
|
||||
|
||||
__all__ = ["NODE_CLASS_MAPPINGS", "NODE_DISPLAY_NAME_MAPPINGS"]
|
||||
@@ -0,0 +1,63 @@
|
||||
# Example Workflow Notes
|
||||
|
||||
## Split-Sigma Sampling
|
||||
|
||||
```text
|
||||
Scheduler
|
||||
-> SplitSigmas
|
||||
|
||||
SplitSigmas high_sigmas
|
||||
-> Sigmas Resample
|
||||
-> ZIB EmberFrame SamplerCustomAdvanced Capture sigmas
|
||||
|
||||
ZIB output
|
||||
-> ZIT EmberFrame SamplerCustomAdvanced Capture latent_image
|
||||
|
||||
SplitSigmas low_sigmas
|
||||
-> ZIT EmberFrame SamplerCustomAdvanced Capture sigmas
|
||||
```
|
||||
|
||||
## PiD Final-Latent Decode
|
||||
|
||||
```text
|
||||
ZIT output or denoised_output
|
||||
-> EmberFrame Normalize ZImage/Flux Latent
|
||||
-> PiD Decode latent
|
||||
```
|
||||
|
||||
Use:
|
||||
|
||||
```text
|
||||
PiD Decode backbone = zimage
|
||||
PiD Decode pid_ckpt_type = 2k or 2kto4k
|
||||
PiD Decode scale = 4
|
||||
PiD Decode pid_steps = 4
|
||||
PiD Decode cfg_scale = 1
|
||||
PiD Decode sigma = 0
|
||||
```
|
||||
|
||||
## PiD Staged Intermediate Decode
|
||||
|
||||
```text
|
||||
ZIT pid_latent
|
||||
-> PiD Prepare latent
|
||||
|
||||
ZIT pid_sigma
|
||||
-> PiD Prepare sigma
|
||||
|
||||
PiD Prepare
|
||||
-> PiD Sample
|
||||
-> PiD Finalize
|
||||
```
|
||||
|
||||
Start diagnostics with:
|
||||
|
||||
```text
|
||||
capture_mode = from_end
|
||||
capture_step = 1
|
||||
capture_tensor_source = x
|
||||
sigma_source = next
|
||||
capture_debug = true
|
||||
```
|
||||
|
||||
For Z-Image / Flux PiD, keep PiD scale at `4`.
|
||||
@@ -0,0 +1,22 @@
|
||||
[build-system]
|
||||
requires = ["setuptools>=61.0"]
|
||||
build-backend = "setuptools.build_meta"
|
||||
|
||||
[project]
|
||||
name = "emberframe-nodes"
|
||||
description = "A growing collection of EmberFrame utility nodes for Comfy, including advanced PiD sampling, Z-Image/Flux latent normalization, wildcard prompt helpers, and resolution tools."
|
||||
version = "1.0.0"
|
||||
license = { file = "LICENSE" }
|
||||
requires-python = ">=3.10"
|
||||
classifiers = [
|
||||
"Operating System :: OS Independent",
|
||||
]
|
||||
|
||||
[project.urls]
|
||||
Repository = "https://github.com/emberframe/emberframe-nodes"
|
||||
"Bug Tracker" = "https://github.com/emberframe/emberframe-nodes/issues"
|
||||
|
||||
[tool.comfy]
|
||||
PublisherId = "emberframe"
|
||||
DisplayName = "EmberFrame Nodes"
|
||||
Icon = ""
|
||||
@@ -0,0 +1,7 @@
|
||||
A blonde college girl with a beautiful slender round face, small nose, natural look, flashing her gigantic full saggy breasts with puffy perky nipples while posing for a photo. her breasts sag deeply under her t-shirt that is held up by her arms. She wears a typical college outfit: a casual t-shirt with the name of her university, paired with tight and very short light blue ripped jeans hotpants. Her large, bare chest and rosy pink nipples are visible as she smiles confidently at the camera. she is sitting in the last row of a college room. extremely voluminous wavy blonde hair, wild and untamed thick curls of blonde hair covering half her face, very long hair falling over her shoulders and arms, gigantic oversized full breasts, round saggy breasts, breasts falling wide apart and sagging deeply, freckled light skin with visual imperfections, chubby body, wide hips, narrow waist, thick legs spread and bursting out of her jeans hotpants, thin arms, cute smile, natural Scandinavian face with freckles, tiny perky nose, full lips. The room is lit by soft, diffused but slightly mysterious lighting, strong shadows, natural bokeh, professional DSLR
|
||||
A timid supermodel / fitness-model standing full body visible in a dirty back alley at night, flashing her oversized full perfect natural round saggy breasts with puffy perky nipples by lifting her white tank-top held up by her arms. Her breasts look like they are about to burst, full of milk, like a cow that hasn't been milked for Months. The Breasts look extremely heavy. Extremely slender narrow girly body too thin to support her massive fat saggy breasts creating extreme visual imbalance, narrow hips waist flat tummy visible hipbones thin legs and arms, youthful freckled light Scandinavian skin with imperfections, piercing large green eyes tiny perky nose full lips. Extremely voluminous wavy red hair wild untamed thick curls covering half her face very long. Tight black yoga pants. Soft diffused and moody mysterious lighting with strong shadows, natural bokeh, professional DSLR photo.
|
||||
front view of a petite, very thin and slender young Nordic woman with long fierce blonde hair, beautiful Swedish natural face, freckles, large green eyes, natural small macromastia breasts, very small puffy nipples, very saggy breasts, narrow hips. walking out of a boutique shopping mall changing room, colourful and playful sketched animals printed on panty with the base-colour white pulled up to waist-level, looking at smartphone held in one hand taking a selfie to share with friends, clothes she tried on scattered behind her on the floor, full body visible, photorealistic editorial photography, shallow depth of field, volumetric lighting.
|
||||
A woman kneeing and leaning her upper body backwards and supporting it with her arms. posing erotically, legs spread widely - knees far apart. She has a girly, very thin and extremely slender petite body frame with natural small macromastia breasts, young Nordic woman with long fierce blonde hair, beautiful Swedish natural face, freckles, large green eyes. full but saggy breasts, wide hips, round ass, looks a the camera with a defiant smirk. She is wearing a tight neon tanga pulled up to waist-level (vintage style). She is on a sunny beach. photorealistic, editorial photography, lens, shallow depth of field, full body visible
|
||||
Front view upper body photo with breast focus: realistic editorial photography of a very muscular nofat slender young Nordic woman lying relaxed with hands behind her head on a mattress and large pillows, wearing only orange sporty tanga on the sunlit deck of a luxury yacht during a boat trip. Long wavy blonde hair, beautiful Swedish face, freckles, large sunglasses, relaxed closed eyes, extremely large and perky pointy breasts with big puffy nipples, narrow waist, very flat tummy, thin legs, very narrow hips, superhipwaist. extreme tanlines, sunburnt skin, Candid telephoto shot from nearby boat showing the woman in a very relaxed posture. shallow depth of field, volumetric lighting.
|
||||
front view of a petite, very thin and slender young Nordic woman with long fierce and untamed black hair, beautiful Swedish face, lots of mascara applied in alternative fashion, red lipstick, freckles, large blue eyes, natural small macromastia breasts, very small puffy nipples, very saggy breasts, extremely flat tummy, narrow hips, superhipwaist. walking out of a boutique shopping mall changing room, long vintage oversized black leather coat with metal applications - held completely open by one of her hands, expensive see-through black lace panty, looking at smartphone held in one hand taking a selfie to share with friends, body bent forward, knees together as if she needs to go to the toilet, full body visible, photorealistic editorial photography, shallow depth of field, volumetric lighting.
|
||||
front view of a petite, girly, very thin and slender young Nordic woman with long fierce blonde hair, beautiful Swedish natural face, freckles, large green eyes, natural small macromastia breasts, very small puffy nipples, full bust, saggy breasts, narrow hips, walking out of a boutique shopping mall changing room, ripped blue jeans hotpants pulled up to waist-level, looking down at smartphone held in one hand taking a selfie to share with friends, holding her breast situated on the smartphone-Arm firmly in the other hand, thus pushing her breasts upwards and covering the other breasts + nipple with her forearm. clothes she tried on scattered behind her on the floor, full body visible, photorealistic editorial photography, shallow depth of field, volumetric lighting.
|
||||
@@ -0,0 +1,56 @@
|
||||
eye-level angle, straight-on view
|
||||
eye-level camera angle, natural perspective
|
||||
straight-on angle, subject viewed directly from the front
|
||||
slight three-quarter front angle, face and body turned subtly toward camera
|
||||
strong three-quarter front angle, body turned clearly off-axis toward camera
|
||||
left three-quarter angle, subject turned slightly to the left of camera
|
||||
right three-quarter angle, subject turned slightly to the right of camera
|
||||
profile angle, clean side view
|
||||
near-profile angle, mostly side view with a hint of the face visible
|
||||
over-the-shoulder angle from behind the subject
|
||||
rear three-quarter angle, subject seen mostly from behind with part of the face visible
|
||||
back view angle, subject seen from behind
|
||||
high-angle shot, camera looking slightly downward at the subject
|
||||
strong high-angle shot, camera noticeably above the subject
|
||||
very high-angle shot, steep downward perspective
|
||||
low-angle shot, camera looking slightly upward at the subject
|
||||
strong low-angle shot, camera clearly below the subject
|
||||
heroic low-angle shot, upward-looking perspective that enhances dominance
|
||||
worm's-eye view, extremely low angle from near the ground
|
||||
bird's-eye view, top-down overhead perspective
|
||||
top-down angle, camera directly above the subject
|
||||
overhead shot, vertical downward view
|
||||
high oblique angle, elevated camera with the subject seen at a diagonal
|
||||
low oblique angle, low camera with the subject seen at a diagonal
|
||||
Dutch angle, tilted horizon for uneasy cinematic tension
|
||||
subtle Dutch angle, slightly canted frame
|
||||
strong Dutch angle, heavily canted frame
|
||||
canted eye-level shot, horizon tilted while staying near eye height
|
||||
canted low-angle shot, low camera with a tilted horizon
|
||||
canted high-angle shot, elevated camera with a tilted horizon
|
||||
waist-level angle, camera positioned around the subject's waist height
|
||||
chest-level angle, camera positioned around the subject's chest height
|
||||
shoulder-level angle, camera positioned near the subject's shoulder height
|
||||
hip-level angle, camera positioned around the subject's hips
|
||||
knee-level angle, camera positioned around knee height
|
||||
floor-level angle, camera placed very close to the ground
|
||||
intimate close portrait angle, camera very near the subject's face
|
||||
distant observational angle, camera positioned farther away with a detached feel
|
||||
voyeuristic angle, hidden-feeling observational perspective
|
||||
surveillance-style high angle, detached overhead viewpoint
|
||||
security-camera angle, elevated utilitarian viewpoint
|
||||
isometric-like elevated angle, high diagonal perspective with strong spatial clarity
|
||||
frontal portrait angle, direct symmetrical viewpoint
|
||||
frontal low-angle portrait, direct view from below eye level
|
||||
frontal high-angle portrait, direct view from above eye level
|
||||
side-lit profile angle, clean profile with emphasis on the side plane of the face
|
||||
rear-following angle, as though the camera is just behind the subject
|
||||
half-overhead angle, camera above but not fully top-down
|
||||
half-under angle, camera below but not fully worm's-eye
|
||||
leaning-in perspective, camera slightly above and close to the subject
|
||||
rising perspective, camera below and moving visual emphasis upward
|
||||
ceremonial elevated angle, high dignified perspective
|
||||
intimate shoulder-height angle, natural conversational perspective
|
||||
subjective-feeling angle, immersive viewpoint close to the subject's space
|
||||
compressed telephoto-feeling angle, flatter distant perspective
|
||||
expansive wide-lens-feeling angle, spatially exaggerated perspective
|
||||
@@ -0,0 +1,61 @@
|
||||
extreme close-up, only a small part of the face filling the frame
|
||||
extreme close-up portrait, eyes dominating the frame
|
||||
tight close-up, head filling almost the entire frame
|
||||
close-up portrait, head and upper shoulders in frame
|
||||
close-up, face and shoulders clearly framed
|
||||
headshot portrait, head only in frame
|
||||
head-and-shoulders portrait, tight portrait framing
|
||||
loose close-up, full head and shoulders with a little breathing room
|
||||
bust portrait, framed from roughly the chest upward
|
||||
medium close-up, framed from mid-chest upward
|
||||
chest-up portrait framing
|
||||
shoulders-up portrait framing
|
||||
half-length portrait, framed from the waist upward
|
||||
waist-up portrait, medium shot framing
|
||||
medium shot, framed from the waist upward
|
||||
waist-high framing, upper body dominant in the frame
|
||||
mid-torso framing, balanced portrait crop
|
||||
medium portrait framing with clear upper body and some negative space
|
||||
medium-long shot, framed from the knees upward
|
||||
knees-up portrait framing
|
||||
three-quarter shot, framed from above the knees downward visible
|
||||
three-quarter-length portrait, most of the body visible
|
||||
American shot, framed from mid-thigh upward
|
||||
cowboy shot, framed from mid-thigh upward
|
||||
mid-thigh framing, cinematic single-subject composition
|
||||
medium full shot, framed from around the knees upward with more body emphasis
|
||||
full-body portrait, entire figure visible in frame
|
||||
full shot, full body visible from head to toe
|
||||
full-length portrait, entire figure clearly contained in the frame
|
||||
long shot, full body visible with noticeable surrounding environment
|
||||
wide shot, subject fully visible with strong environmental context
|
||||
very wide shot, subject smaller in frame and environment more dominant
|
||||
extreme wide shot, environment dominating the image with the subject still visible
|
||||
extreme long shot, subject distant within a large environment
|
||||
establishing shot, subject placed within a clearly readable environment
|
||||
environmental portrait, subject framed with strong location context
|
||||
intimate portrait framing, close subject emphasis
|
||||
tight portrait crop, minimal empty space around the subject
|
||||
loose portrait crop, extra negative space around the subject
|
||||
centered close portrait, symmetrical close framing
|
||||
centered medium portrait, symmetrical waist-up framing
|
||||
centered full-body portrait, symmetrical full-length framing
|
||||
off-center close portrait, subject placed according to rule-of-thirds framing
|
||||
off-center medium shot, subject placed according to rule-of-thirds framing
|
||||
off-center full-body shot, subject placed according to rule-of-thirds framing
|
||||
vertical close-up portrait framing
|
||||
vertical medium portrait framing
|
||||
vertical full-length portrait framing
|
||||
horizontal close-up cinematic framing
|
||||
horizontal medium-shot cinematic framing
|
||||
horizontal full-body cinematic framing
|
||||
anamorphic-style close-up framing
|
||||
anamorphic-style medium shot framing
|
||||
anamorphic-style full-body framing
|
||||
single-subject portrait framing with generous headroom
|
||||
single-subject portrait framing with minimal headroom
|
||||
single-subject portrait framing with strong negative space
|
||||
single-subject portrait framing with balanced negative space
|
||||
single-subject portrait framing cropped just above the elbows
|
||||
single-subject portrait framing cropped just above the knees
|
||||
single-subject portrait framing cropped just below the knees
|
||||
@@ -0,0 +1,20 @@
|
||||
a delicate French lingerie set in blush pink Chantilly lace, balconette bra, high-cut briefs, tiny satin bows, scalloped edges, sheer floral embroidery, silk suspender straps
|
||||
an elegant Italian lingerie set in deep burgundy silk satin, soft-cup bra, high-waisted knickers, fine black lace trim, gold hardware, luxurious and romantic
|
||||
a soft English rose lingerie set in ivory and dusty pink cotton-silk blend, vintage-inspired longline bra, tap pants, broderie anglaise trim, ribbon threading, gentle cottage femininity
|
||||
a refined Japanese-inspired lingerie set in pale cream silk with subtle cherry blossom embroidery, soft triangle bra, side-tie briefs, delicate satin binding, minimalist and graceful
|
||||
a romantic Spanish lingerie set in black lace over warm nude mesh, structured balconette bra, thong briefs, tiny ruffle details, dramatic yet soft, with a flamenco-inspired sensuality
|
||||
a dreamy Scandinavian-inspired lingerie set in icy blue silk and white lace, clean lines, soft bralette, high-leg briefs, understated luxury, cool and airy with a winter-light feel
|
||||
a luxurious Indian-inspired lingerie set in jewel-toned teal silk with fine gold thread embroidery, soft plunge bra, matching briefs, delicate beaded edging, rich but feminine
|
||||
a playful pastel lingerie set inspired by butterfly wings, lavender and powder blue mesh, sheer embroidered cups, petal-soft lace appliqué, fluttery satin straps, ethereal and delicate
|
||||
a soft moth-inspired lingerie set in cream, taupe, and pale silver, sheer tulle bra, high-waisted briefs, velvety flocked details, faint wing-pattern embroidery, muted and romantic
|
||||
a sweet swan-inspired lingerie set in white silk satin and feather-light lace, demi bra, cheeky briefs, soft marabou edging, pearl details, elegant and airy
|
||||
a delicate dove-grey lingerie set in silk charmeuse and pale lace, underwired bra, Brazilian briefs, satin-covered buttons, soft vintage glamour with a quiet luxury feel
|
||||
a floral Ukrainian-inspired lingerie set in white linen-silk with red and black embroidery accents, soft-cup bra, high-waisted knickers, folk detail reimagined as delicate intimatewear
|
||||
a pastel rococo lingerie set in pale mint and champagne, corset-inspired longline bra, frilled knickers, tiny rosettes, lace insets, delicate aristocratic softness
|
||||
a refined Moroccan-inspired lingerie set in warm sand silk with subtle geometric embroidery, soft triangle bra, tie-side briefs, bronze bead details, desert-soft and elegant
|
||||
a soft peacock-inspired lingerie set in muted emerald, sapphire, and bronze embroidery over black mesh, balconette bra, matching briefs, jewel-toned shimmer kept delicate and feminine
|
||||
a delicate rabbit-inspired lingerie set in cream and blush velvet, soft bralette, shorts-style briefs, satin bows, fluffy trim used sparingly, playful and sweet rather than costume-like
|
||||
a luxurious Russian-inspired winter lingerie set in ivory silk with pale silver embroidery, longline bra, high-waisted briefs, faux-fur edging kept soft and light, regal and romantic
|
||||
a botanical lingerie set in sage green embroidered tulle, sheer underwired bra, delicate thong, leaf-vein stitching, soft satin straps, garden-fairy elegance
|
||||
a seashell-inspired lingerie set in pearly white and soft coral silk, demi cups with fine scalloped embroidery, matching briefs, iridescent thread highlights, delicate coastal femininity
|
||||
a soft fawn-inspired lingerie set in warm caramel, cream, and pale mocha lace, gentle triangle bra, high-leg briefs, tiny floral embroidery, tender woodland delicacy
|
||||
Reference in New Issue
Block a user